How the pARTy Works

On a given day an image will be shared, along with the subsequent artwork painted by the pARTy hosts.

Participants are then invited to create art from the referenced image, Anything goes, but the artwork must have been started and finished within a 24 hour period.

In the fairness of allowing all an equal opportunity to participate, artists will have a window of time to complete their pARTy entry, again keeping in mind said entry must have actually been created within a 24 hour window.

NEW: pARTy submissions must be emailed to by the pARTy deadline so that they can be uploaded to the blog. You may also register for the pARTy forum and post your work there, but when doing so, please register in your own name and send us an email so that we can process your registration - otherwise we will assume it is just spam!

We regret that entries not meeting these requirements cannot be shared on the pARTy blog.

If you are posting pARTy artwork to your own website, please give credit to the individual photographer providing the photo. It would be great if you also mentioned The Virtual pARTy as well. We thank you in advance for this courtesy.

Thanks for joining us! And happy creating - Linda & Kim

Friday, May 1, 2009

Wait Right There!

Well, I said I'd be done by 8pm, and it was shortly after that when I finished the Derby pARTy painting. Took a little longer for me to make it here! I made myself wait to look at Kim's painting, because I knew she'd be done much earlier than I. I found it interesting how we chose different sides of the canvas, and picked a similar size to work with! Once again, this is 16 x 12 oil on canvas, available for $565.00 (plus shipping). If you're interested, just email me. A portion of the sale will go to LongRun Thoroughbred Retirement, which finds new homes for retired racehorses.

I take in-progress shots of my work by habit now - it's just part of how I work through things. I'll include a couple of them below. You saw the first stage - after that I worked a bit more on establishing some basic tones before I started with the colour. I often work from a limited palette of Burnt Umber, Ultramarine Blue, Cadmium Red Medium, Yellow Ochre and Titanium White; for this painting I also used a bit of Naples Yellow, and some Unbleached Titanium. I work backwards sometimes from how you're "supposed" to work in oils; I got the filly well on her way before I started blocking any colour into the background. After that, I went back into her and worked up the detail a bit, and the last thing I did was add more colour and contrast to the background to give the painting a bit of drama.

I thought *I* had a bit of an advantage, as this is one of my photos, and I know this Thoroughbred filly very well, raising her from birth to about 18 months. Her name is Clever Peaks, and from day one she was very friendly and inquisitive. If she saw people approach the fence, she'd come right over, so this was a very familiar site to me!

Preakness pARTy? Absolutely!


  1. Linda - I LOVE HER!! I should give your palette a try and see if I can get a clearer set of values established immediately - I get distracted by the saturation too easily.

    Really wonderful painting.

    And we're on.
    2 weeks. :)

  2. Great work from both off you and a learning curve for us watching. Difficult subject as well..painting a moving horse face on. Looking forward to the next :)

  3. Ladies, the pArtY was a great one: LUV both results.
    Looking for a "clever" word play but I'll refrain and just say....well done!

  4. Beautiful work, both of you! This was a great idea and I enjoyed watching from the sidelines. I'm looking forward to your next paint-off!